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They put down in prose what things soever they saw and heard abroad. Others rewrote the

rhapsodies and legends of the bards, but their work was childish and unworthy to survive.

Then came the great HERODOTUS, justly styled the Father of History. He was born in

Halicamassus, in the year B. C. 484. He was a Dorian by descent and an Ionian by

education. His merit consists in this, that he, first of the great minds of the Aryan

race, perceived that history should be stripped of poetic disguises, and yet given an

artistic and philosophic form in the language of common life. Herodotus had the genius of

the traveler, the curiosity of an antiquarian, the industry of an artisan. He sought

companionship with the literati of foreign cities. He stored his mind with records of the

East. He reflected not a little upon the nature and causes of events, and thus fitted

himself for historical authorship to a degree not to be expected of his age. He selected

for a theme the great struggle between his country and Persia. As his narrative proceeds

and he finds himself in contact with other nations, he pauses with a natural grace to

recount their annals, their customs, their traditions, their laws. Garrulous? Granted;

but such garrulity! Would that the primitive world had produced more such charming

gossips! To spare the one were to lose the quaintest monument of ancient literature.

After him came the philosophic THUCYDIDES. He selected for his theme the then recent

Peloponnesian war. He thus secured a unity of subject for which we should look in vain 'in

the work of the Father of History. Educated in the political school of Pericles, under the

full influence of the sophists and rhetoricians of Athens, by nature of a calm

temperament, in which reason predominated over imagination, Thucydides came to his task

fully equipped, both in himself and his discipline.

True, his language's sometimes heavy and not always perspicuous. True, that many of his

periods are inartistic and unmusical; but his is the history of reason and truth. The

story is told without passion and with but few touches of prejudice. It is a story as if

told by an impartial statesman who reviews with great breadth of vision and impartial

judgment one of the most momentous epochs in the history of his people. The Peloponnesian

war thus found an expositor equal in greatness to itself.

Then came XENOPHON-charming story- teller of the Athenians. In qualities of mind he was

inferior to Thucydides. He had neither the elevated views nor the unbiased judgment of his

predecessor. He was withal something of an adventurer. Out of sympathy with his own city

and state, he drifted to the Spartans. As one of the leaders of a band of mercenary

soldiers, he accepts pay from Cyrus the Younger and goes with that ambitious prince

against Darius. He writes the Retreat of the Ten Thousand, and afterwards the Memorabilia

of Socrates. His style is above reproach, and displays the capabilities of the Attic

tongue at its best estate. The purity of his diction gave him a reputation with his

countrymen above the intrinsic merits of his works. As a model of Attic Greek, the

Anabasis of Xenophon will ever hold a leading place; as a history it takes rank with the

military records of Caesar's Gallic War.

Then came Oratory-a necessary concomitant of the political freedom of the Greeks. The

progress of Athens from an aristocracy to a democracy made public speech a prerequisite of

leadership. The greatest debaters of the world were Athenian citizens, interested in the

affairs of the commonwealth; advocates, partisans; men who espoused one side of a question

with a passionate zeal that displaced all other considerations and made life a burden

until the passion was liberated in utterance. From this it should not be inferred that all

the Greek orators were men