MARK SPURLOCK The most satisfying thing about helping create "collections + [RE]collections" is that--while the site uses all the tricks and gadgetry of computers, the Web, and multimedia--it gives them a human face. The high-tech medium in no way overshadows the real story here: one man's singular experience of a global event. The Web, however, accesses a potentially wider audience than a conventionally published book. And unlike the printed page, "collections + [RE]collections" is dynamic and interactive, allowing its audience to share their own experiences with one another. So clearly the technology has its advantages. Yet I think it's evident that the approach with this project was not "here's what the technology will let us do, so let's do it that way." Rather, and more appropriately, it was "this is the story we need to tell; how do we make the technology let us tell it." To the extent that we succeeded in telling William Yenofsky's story--and the story of so many men of his generation--I am most proud.	William Yenofsky    photography    writing Susan E. Metros    project direction    graphic design    concepts Heather A. Locke Walker    web design    programming    research    concepts Mark Spurlock    Javascripting    CGI programming    concepts J. Seth Johnson    web programming    media production Alec Riedl    web programming